- A solid sense of yourself as a writer
You need a strong sense that writing is what you were born for. The good news is that if you are a writer, then writing is what makes you happiest in all the world. Our writing is an essential part of our heart and spirit and the more we honour it, the happier we become. As our writing grows, we grow. If you have not had that experience yet, try writing more every day and see if you feel a difference.
- Love of the writing process
One of my earliest childhood memories is of sitting alone with crayons deep in my own writing world. I can still feel the bliss of those crayons in my fingers. Partly it’s the safety of that cocoon, partly the joy of rolling those words into the right order, of producing something new under the sun. The more we write and study the craft, the better we write and with that comes self-assurance that will help through the feedback and criticism stages. This is a long way from arrogance; it comes from the long process of trial and error, above all from the rewriting process. It comes from a sense that writing and rewriting are always where our time is best spent, regardless of the outcome.
- A safe place to write
Virginia Woolf’s extended essay published in October 1929 was famously titled ‘A Room of One’s Own’. Not all of us can afford this and the creeping closure of libraries threatens our writing spaces. However, we are usually not far from a friendly café and all we need is to train our brains to cut out the noise, take from the surrounding company inspiration as we find it and let writing wrap itself around us.
- Write loads
We all do, far more than ever gets published. Musicians practise scales and arpeggios daily and play sections of their latest piece till their fingers ache. Hemingway talked about his published work being ‘the tip of the iceberg’ of his writing. Incidentally, this New Yorker piece about the great man shows that even he was capable of a truly dreadful sentence now and again: In pencil, he added, “Time is the least thing we have of.” All creative work is trial and error. Will this work? Maybe this will work better? Or that? The more you write, the more confident you will become. That is why I am a huge fan of journal writing. Scribbling for the sake of it loosens the writing muscles, clears the fog and can come up with surprisingly useful things. Go for it. Go for everything. Be fearless!
- Choose your best ideas
So much for words. Agents and publishers trade in ideas. What are your stories about?
Choose your best ideas and if a story is not working, it may be the central idea that is deficient. Do not be afraid to dump it and move to something more exciting. Our greatest crime is to waste our readers’ time.
- Value your craft
Story-telling technique, grammar, spelling – these are our tools and they all matter very much. In creativity, rules are always there to be broken so it helps to know the rules first. For a reader to feel a sense of your authority, they need to know that if you are breaking rules, you know why even if they do not. They need to trust you.
There is an illusion among civilians (non-writers) that to produce a best-seller, all you have to do is knock out a blog at the kitchen table. This has never been true.
Jane Austen and the Bronte sisters, Wilde and Hemingway all rewrote their masterpieces time and again. Nobody ever said this would be easy.
We are lucky, we can learn by reading great books and by seeing great plays, television and films. Drink up all the best stories you can. Go on all the courses you can afford. Read everything about the craft you can find.
- A thick skin
Now I’m talking about the rejection period where doggedness is your best friend. These are your learning years too and a professional standard does not come overnight.
- Be ready to be edited
Arrogance (often fear in disguise) stops your writing career dead. Agents and publishers always see your script as work in progress that needs their professional input to suit the market. Writing is about rewriting, and we all need it. The trick is to relish the company of these professionals who know what they are doing, to take their interest in your writing as a compliment and to enjoy lifting the quality of your work. The next book(s) should be easier.
- Have good people around you
Part of the rejection years is about gathering ‘champions’ of your writing, people who are impressed and will remember you but aren’t quite ready to offer you a contract. These people talk to each other. Sometimes they live with each other. So it’s good to keep sending your best writing out so that the positive vibe around you can grow.
The good people you need most are your agent and publisher. In the best of all possible worlds, you and your agent are friends for life and build your career together for mutual benefit. This means you are honest with each other, listen to each other, both work hard and understand why things might not be perfect during tricky times. Like any relationship really. A solid relationship with a publisher is wonderful too. You might write a variety of things over a lifetime, gathering appropriate publishers as you go.
What about support at home? A good other half is a great help. A great other half is often one who takes no interest at all in your writing other than to offer a shoulder when a rejection comes and a hug whenever there’s good news. A bad one is worse than being alone. Beware of hooking up with a frustrated writer (this happens more often than you’d think) who wants to shoehorn in on what you’re writing all the time, trying to push and pull you in different directions that somehow never quite satisfy them. Their well-meaning but relentless critiques can shrivel your will to write.
Being alone is not so bad. All writers need access to great big slabs of time alone (Jilly Cooper called it writers’ ‘hermit-itis’) and not all other halves have the self-confidence to live with that.
Finally, you need a good writing group. A band of good-hearted people you trust to understand the writing process and who will help you thrive at your own pace, as you help them thrive at theirs. People who understand that if your genre is not their sort of thing, then their feedback might not be your sort of thing either. People with a positive critique ethos, seeking to tell you what works best in your work because, believe me, by the time you have read your words aloud to any group, your bones know all too well what has not worked. We writers are less good at knowing what we’ve done well – we need to be told.
Did Thomas Jefferson say that the harder we work, the luckier we get? Actors and musicians joke about how ‘overnight success’ sometimes comes after years of hard graft. This is true of writers too. Hilary Mantel spent ten years writing her first book. The Da Vinci Code was Dan Brown’s fourth novel. Beatrix Potter and William Blake published their own work initially, as did Jane Austen.
As you keep writing, keep learning. Keep circulating among writers, publishers and agents, keep sending out your best work in a professional way, keep raising your game. That way, the mysterious ingredient luck has a better chance of finding you.
I wish you all the luck in the world.