Since 2011, Rosie has been running her informal writing groups to share with others the tricks and skills she has gained over twenty-five years. Her experience includes two novels (published in Dublin and London), drama writing, poetry and journalism. Several of her ‘alums’ have become full-time writers, some are working with agents and publishers and others have successfully self-published.
If you are longing to write a book and have no idea where to start, or you have begun, stumbled and would love to find your way again, Rosie’s writing groups can help.
Who is welcome?
The sessions are free.
This new group will meet in the café on the first floor of Waterstones in Canterbury, Kent, UK.
We meet between 10am and noon on the 2nd Monday of each month so our next sessions will be on Monday 9 December, 2019, and 13 January, 10 February & 9 March, 2020. You needn’t bring anything but your imagination and favourite writing materials. There will be a break at half-time for tea and coffee. If you would like to come, please contact Rosie on firstname.lastname@example.org
What do we do?
If you scroll down past the Churchill Writers, you will find out! *
Who is welcome?
Anyone who has any connection with Churchill College: alums, students, staff, family members. The range of writing experience (and everything else) is wide, from beginners to published writers.
Churchill College, Cambridge
3.30 – 5.30pm, usually on the four middle Saturday afternoons of each term. This coming term that means Saturday 1, 8, 15 and 22 February, 2020. We gather from 3pm first to catch up over coffee, tea and excellent, home-made biscuits. Many thanks to the College for its kind hospitality.
If you would like to join us for the first time, please drop me a line with a few lines about yourself so that I can welcome and introduce you.
*WHAT DO WE DO?
We start with a bit of free-flow writing to get us limbered up. This can be tremendously liberating, no waiting for inspiration, no redrafting, who cares if it’s a bit rough. Like all creativity, writing combines adventure with planning and the quality of what we write in short bursts often surprises us. Something magic happens and our writing takes off in its own intoxicating direction. Come and try with us and you’ll soon know what I mean.
I do all the exercises alongside you, by the way, and sometimes we read aloud what we’ve written, sometimes we don’t. There is no need to read aloud if you don’t want to. Sometimes, even if you have all the confidence and experience in the world, an exercise can bring up something that should stay private. My advice is to write it as honestly and deeply as you can and decide later if you want to reveal it to anyone else. Your privacy is sacrosanct.
We study the craft. Each session has a theme designed to help you avoid pitfalls I’ve learned the hard way. I guide discussions about where to start your writing, how to develop characters, how to find your theme and throughline, whether to self-publish or find an agent – that sort of thing. Our sessions in the autumn are usually about getting deep into our fictional characters. Spring is one of my favourite times when we look at classic plots and genres. Coming up to the summer, we concentrate on tricks of the craft like the best uses of point of view and dialogue.
Our exercises and discussions help writers of non-fiction as well as fiction. It’s all about how best to engage our readers and hook them in with good narrative drive.
Each session has a workshop element too. You are invited to bring about three pages (max, 1500 words please) of your writing to read to the group if you’d like to. It doesn’t have to be the best piece you’ve ever produced – work in progress is fine – and I make sure that feedback is positive, constructive and relevant. I do not permit feeding frenzies of criticism in my groups.
Writing and imagination are like muscles. If they are flexed and enjoyed often, they get stronger and will reward you in more ways than you ever dreamt possible. When I set up our Churchill College writing groups in 2011, people came with a wide range of writing experience, many with no more than a longing to have a go. Since then Michael’s biography of Canon Duckworth has been published and is enjoying repeated sell-outs, and he is working on a new biography of Sir John Cockcroft, Pete has written and published three Young Adult horror novels and many stories, Liz has expanded her poetry repertoire, been a publisher’s featured poet and has recorded her poetry for blind people, Gervase has published a memoir of his heroic grandmother and Helen, also in the group, has finished a screenplay of it. Gervase has also published a memoir of his life as a GP and a book of short stories and Helen is working on a series of short films and, with others, a full-length screenplay. Terry is deep in writing a series of political novels and a sci-fi novella, Lauren is now a prize-winning short story writer with a popular running blog, and Mary has recently attracted the attention of a traditional publisher for her family memoir.
In October, 2019 the College library featured published work by Churchill’s writing group, a very proud week for us all.
Among my Greenwich writers (who started as a small group in Bermondsey), three now work full-time in the writing business and two others are close to publication too.
The quality of talent in each group is really exciting and I’m proud to see everyone developing a happy, confident writing process.
You’ll see from this site that my experience is wide and I can help and encourage you with most aspects of writing. Exceptions where I have little or no experience and must ask you to look elsewhere are screen-writing, self-publishing and erotica.
Please do NOT send me your unsolicited work. I do not have time to take on script assessments.
‘Rosie’s course is always very enjoyable, and it has improved my writing a lot. Rosie is an excellent facilitator, who ensures that the environment is always supportive, and feedback constructive. At the same time she has urged me not to settle for mediocrity, and to make my writing the best it can be.’ Pete Chown
‘Rosie has a wonderful quality of attention and can grasp and feed back on the positive aspects of the work read by her group members. She is a great encourager of a first-drafter. She has control of the group and will forestall any destructive criticism by other members. I would never have finished my book without her. At the same time she has a comprehensive grasp of the technical aspects of writing and publishing.’ Gervase Vernon
‘A friendly, relaxed and supportive environment in which to create and gain useful feedback from fellow writers. Whatever your previous experience or project, whether it’s a small sketch, short story or novel, you can sense the writing improve week by week.’ Graham Taylor
‘The course is excellent and Rosie’s input as facilitator has been invaluable in encouraging me to progress with my writing. I have grown in confidence because of her encouragement and the generous way she shares knowledge, insight and experience. It has also been useful to hear what others have written and to hear them share their doubts and struggles with the group.’ David Hadland