Prompts: latest from ‘Where to Start Writing’ in Margate

Yesterday’s written prompts from our Where to Start session yesterday in Marine Studios in Margate. A beautiful evening as we came out, with Turner skies:

‘Looking back, in many ways the days of the front line were my halcyon days.’

Time Come, Linton Kewsi Johnson about Railton Road in its ‘front line’ times

‘We set off the week before Christmas. It was freezing in London and our luggage sagged under the weight of our expectations and sketchbooks.’

Zandra Rhodes in Iconic

‘Dear Lonely Hearts, / my name is Nate / my hobbies are weightlifting / and tempting fate.’

Roger McGough in The Collected Poems: 1959-2024

‘Behold my bold provider, he can hunt and he can trap, / He can make a set of hinges from a piece of leather strap’

Pam Ayres, Doggedly Onward: A Life in Poems

When I come out of the bathroom, I hear Mum and Mervyn talking downstairs. At the mention of my name, I pause in the hallway to listen, my hair dripping, a towel wrapped around my waist like an untidy skirt

The Lost Past of Billy McQueen, Neil Alexander

Happy New Year! What’s coming up next?

Happy New Year to you all and thank you for dropping by, so often and in such numbers. As well as happiness for you and your loved ones, I wish you all a productive, successful writing year. If, by next January, you have a regular writing practice and know roughly where your writing is heading, you will have achieved a lot. That may not sound like a lot but, believe me, it is.

Usually with my writing groups, our second term (in a sort of academic year) is about plot. It’s my favourite: we get to sit around telling each other our favourite stories and chatting about books that have stayed with us through a lifetime.

Usually whenever people look for writing advice, they’re after hints on writing dialogue, show and tell, point of view, that sort of thing. The Box of Tricks. Should I change my usual tilt and go for that now? Then, this morning, I read this.

Storytelling is not about cheap tricks and formulaic writing. It is one of our oldest and most valuable crafts. Character interests us readers first. Plot keeps us engrossed until we reach that fantastic combination of inevitability, surprise and bittersweet longing for more that is a perfect ending. It’s not about writing to a tired formula – I am all for you reinventing the wheel as often and thoroughly as you can, go for it! But if your story has hit buffers and you’re not sure why, then thinking about what has worked in the greatest stories of all time can help.

So, the Box of Tricks is going to wait. We’ll start by looking at the oldest classic plot in the book: Quest. See you here on Sunday!